Riyaz

रियाज़सन्ध्या

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Maru Bihag

मारू बिहाग

KalyanRomantic, peaceful

Musical Structure

Pakad (Signature)

Ga ˈMa Pa · Ni Dha Pa ˈMa Ga

Aaroh (Ascending)

Sa Ga ˈMa Pa Ni •Sa

Avroh (Descending)

•Sa Ni Dha Pa ˈMa Ga Re Sa

Vadi (Key Note)

Pa

Samvadi

Sa

Try the 3-note challenge →

Rules

Uses tivra Ma (M) — this distinguishes it from Bihag
R is varjit (omitted) in aaroh, used in avroh
G (vadi) and S (samvadi) take prominence
Like Bihag in structure but the tivra Ma gives a Yaman-like flavor
D is omitted in aaroh but used in avroh

Key Phrases

G M P N ṠN D P M GS G M PṠ N D P M G R SM G R S N. S G

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